Home Blog

Why So Complicated?

By Rick Moore

Rick Moore 4x6

The Million Dollar Marching Band for the Alabama Crimson Tide was given its name back in 1922. A million dollars then would be worth over 20 million today. There are rumors that Mark Wahlberg is trying to reboot the “Six-million Dollar Man” into the Six-billion Dollar Man.” Even Dr. Evil had to recalculate from one million to a hundred billion after being frozen for a few years. Keeping up with the times isn’t easy and it can be expensive. Try listening to an hour long podcast about artificial intelligence and smart homes and it can make you feel like your head will explode. Technology does constantly evolve, and that includes the audio/video market. Flagship amplifiers and speaker systems from top brands routinely cost ten times (or more) of what top-tier systems cost 30 years ago, even after adjusting for inflation. Not only has it become more expensive, it seems that technology has made our life more complicated instead of less complicated.

 

Although I have been involved with high-end professional technology for decades in television and radio, my home audio/video system has remained modest through the years. However, I do like good sounding speakers in my house. Catrina and I had quit listening to the speakers on our TV a long time ago because the audio quality is less than half of what it used to be before video monitors had to be so flat. We also like listening to albums on our turntable. Although we enjoyed the benefits of having a separate sound system, it was too complicated. We had several remote controls in our living room. If we’re listening to music and wanted to watch our TV, we turn off the stereo first, then turn on the Apple TV and then turn on the Samsung TV. That is unless we are watching an app that is only on the Samsung TV and not the Apple TV 4K. Oh, I forgot to mention, if we want to watch a program that is on cable TV, we reach behind the Samsung box and select the “B” button instead of the “A” button. Sound familiar? Does it have to be so complicated?

Why So Complicated

My wife is patient, but she did threaten to throw the remote controls through the window if I didn’t come up with a simpler system. That’s where Branded International came in. Branded International specializes in high-end audio systems for home and business, but they also make playing movies and music simple. Now we just speak into the remote control and say “Play James Taylor” and a song from James Taylor begins to play. Or we can say “Play You’ve Got A Friend” and that specific song will begin playing (Yes, my wife is still a huge James Taylor fan). Hit a button that says patio and the music is now playing on the patio. It just works. We can have one remote control and enjoy great sound. It doesn’t have to be complicated and it can sound great. Yes, custom installs can get very expensive, but that is why we went with Branded International. They use name brands from France, England, and Italy, for the best value for cutting edge technology when it comes to audio & video. Now, my wife Catrina is part of the custom installation industry representing Branded International on the Emerald Coast. Catrina is like the guy on the TV commercial who said, “I like it so much I bought the company.” I’m just glad she no longer wants to throw the remote controls out the window. Peace at last! Now, if I can only get one of those robotic lawnmowers to mow the lawn.

South Walton Live Music Scene October 2026

Forrest Williams 2026

FOOW Live Music Mondays 

Enjoy live music on Monday nights at FOOW – Fish Out of Water. The Gulf front restaurant invites you to delicious dining paired with live music. Visit www.dinefish30a.com.

October 19 & 26: Brett Smith

Baytowne Wednesday Night Concert Series

Join The Village of Baytowne Wharf as they host the Wednesday Night Concert Series, a free weekly tradition on the Events Plaza Stage from 7-9 p.m. featuring local & regional talent from all kinds of genres. Bring your lawn chairs, blankets & your crew for some great tunes!

October 21: TBA

October 28: Forrest Williams

Shinedown’s Lunatic Ball Beach Weekend Oct. 23-25

Topeka presents Shinedown’s Lunatic Ball Beach Weekend at Seascape Resort. Shinedown, Flyleaf with Lacey Sturm, Bush, Living Colour, Hanson, From Ashes To New, Guardians of the Jukebox, and Neon Mooers are among the acts on the lineup for the 2026 event. Artists perform from 5-10 p.m. each evening. Learn more at topeka.live.

Baytowne Tribute Weekend Nov. 6-7

Rock out the weekend and enjoy live music from great tribute bands. Friday, November 6th: Dream On… as Pandora’s Box brings the iconic hits, electrifying energy, and rock ‘n’ roll spirit of Aerosmith to Baytowne Wharf! Saturday, November 7th: Step back in time with The 77 Experience! Relive the unforgettable music, iconic moments, and pop culture of 1977 as this high-energy tribute brings the soundtrack of a generation to life.

Sounds of Seaside Wednesday Night Concert Series

Sounds of Seaside returns to the Seaside Amphitheatre Wednesdays from 5-7 p.m. A free to attend and open to all ages event, bring blankets and chairs and enjoy an evening of live music from local musicians.

October 21: TBD

October 28: Boukou Groove

November 4: Max McCann

November 11: Flow Tribe

November 18: Roman Street

Watersound First Friday Concert Series Oct. 2

The First Friday Concert Series returns to The Pavilion at Watersound Town Center monthly through December with live music 6-8 p.m. Join for free, family-friendly evenings of music, community and fun.

Nov. 6: Webb Wilder Band

Dec. 4: Michelle Malone & The Hot Toddies

Old Florida Fish House Weekdays

For over a decade, Old Florida Fish House has proudly featured local live music. Throughout the week, catch artists playing inside the coveted bar and lounge as well as in the large outdoor dining space situated among the palm and oak tress under the twinkling lights next to Eastern Lake. Saturday and Sunday Brunch with live music 10 a.m.-2 p.m. Alex Napier performs Tuesday and Wednesday. Dueling pianos Thursday through Saturday at 7:30 p.m. Visit www.oldfloridafishhouse.com for more info.

AJ’s Grayton Brunch and Live Music

AJ’s is the place to be to celebrate all things Sunday Funday in Grayton Beach! Come for brunch, stay for the music and dancing. AJ’s brunch with bottomless Mimosas from 11 a.m.-3 p.m. is not to be missed. Or, go all in with their famous Build Your Own Bloody Mary bar. The talented Christon Birge Duo plays live music at noon. Then enjoy The Pickled Pickers 5-8 p.m. Check ajsgrayton.com for live music throughout the week.

Midnight Mixtape Brings the Soundtrack of a Generation to a Venue Near You

By Will Estell

If you’ve ever found yourself smiling from ear to ear when the opening notes of a favorite anthem blast through the speakers, you’re definitely not alone. That feeling of instant nostalgia is exactly what Northwest Florida’s hottest new band on the block, Midnight Mixtape, has built its reputation on — delivering energetic performances that transport audiences back to some of music’s most memorable eras.

Midnight Mixtape has quickly become one of the area’s most entertaining live acts, combining exceptional local musicianship, polished vocals and an electric stage presence that transforms every performance into a sing-along. Rather than simply covering familiar songs, this band recreates the feel, emotion, excitement and energy that made these tracks part of the soundtrack of our youth and young adulthood. These guys and girls aren’t simply performing songs — they’re playing memories.

For its most recent experiment in music history, the band has shifted to “Y2K Rewind: The Ultimate Early 2000s Live Experience,” featuring an impressive collection of hits spanning rock, pop, alternative and dance music from the late 1990s and early 2000s. Think Avril Lavigne, Blink-182, Concrete Blonde, Britney, Evanescence and many more artists whose music defined an entire generation. Whether you grew up burning cheap CDs for friends or loading your first iPod with these bangers, Midnight Mixtape delivers the sounds and shows that instantly reconnect us with those unforgettable moments.

Screenshot

As band co-founder Dan Collins told me, “The concept behind our Midnight Mixtape shows is essentially to pick an era and build an entire show around it. A Midnight Mixtape show isn’t simply an array of cover songs; it’s an event.” Collins added, “We play different themes and learn full new sets for each new theme. Keeping the performance more organic and unplugged, with acoustic guitars, simple hand percussion, the addition of violin playing many of the lead guitar parts, along with keys and multipart harmonies gives the shows a more intimate and up-close vibe.”

Collins says he and his fellow band members believe this concept is why, to date, all of their limited-run shows have sold out at every venue where they have performed across Northwest Florida.

Dan Collins, whose lead vocals and guitar anchor each performance with confidence and charisma, has become well known throughout Northwest Florida as the frontman and founder of Black Eyed Blonde, as well as for producing unique live entertainment events that go beyond the typical cover band performance. He also built his reputation during his time playing with Naked Gunmen and Miss Demeanor.

Sharing center stage is Dan’s equally talented wife, Becca (also of Black Eyed Blonde), whose dynamic lead vocals add both power and versatility to the band’s sound. Her ability to move effortlessly between emotional ballads and high-energy rock anthems gives Midnight Mixtape an impressive vocal range that keeps audiences engaged from the first song to the final encore.

The ensemble also includes Sarah Mangum on vocals and keys, adding rich harmonies and melodic depth. Jess Murphy (formerly of Continuum), with her always impressive violin arrangements, gives familiar favorites an unexpected twist, adding a sound and a brand of showmanship that any band would envy. Stacy Clearman delivers strong vocals and percussion that enhance the band’s layered sound and infectious rhythm. Together, Midnight Mixtape creates a polished production that feels much larger than that of just another local band.

I believe what really separates Midnight Mixtape from many other bands across our coastal communities is the way they invite the audience into the performance. A Mixtape concert becomes an interactive celebration. It’s like a show that you also get to be part of — because it is your show, your memories and your music.

Midnight Mixtape will perform live at Distillery 98 in Santa Rosa Beach on Friday, Aug. 28, 2026, presenting “The Ultimate Early 2000s Live Music Experience.” This two-hour show promises to be a nonstop celebration of the music that defined the Y2K era.

At press time, a limited number of VIP and general admission tickets were available. However, given the band’s recent enthusiastic crowds, I definitely recommend purchasing tickets soon. You can also follow the band online for more details, dates and performance videos.

Will Estell is a writer, editor, and media entrepreneur with over 750 published articles in a wide array of regional and national publications. Estell is the chief creative officer of Estell Hussey Media and has been instrumental in bringing 12 new startup magazine brands to market over his 25-plus-year media career. He currently consults for publishing companies locally and nationally, as well as maintaining a career in coastal real estate and development. Originally from the backwoods of Booneville, Miss., Will is a father of three, who along with his wife, WEAR ABC 3 anchor, Laura Hussey Estell, now calls Destin and Navarre Beach home.

Sinfonia Gulf Coast Presents The Wizard of Oz: Film in Concert

Sinfonia

Oct. 17 to Open 2026-2027 Season of Main Events

Beloved cinematic classic comes to life on the big screen with Sinfonia Gulf Coast performing live under the stars

DESTIN, Fla. (Sept. 9, 2026) — Follow the Yellow Brick Road as Sinfonia Gulf Coast launches the Main Event concert series of its 21st annual season with The Wizard of Oz: Film in Concert on Saturday, Oct. 17, at 7 p.m. at the Mattie Kelly Arts Foundation Dugas Pavilion in Destin.

One of the most beloved films of all time comes to life in a magical new way as the full Sinfonia Gulf Coast orchestra performs live with the brilliantly restored classic on the big screen. The production features new orchestral transcriptions of Harold Arlen’s score, accompanying Judy Garland’s original 1939 studio recordings and transporting audiences of all ages to Oz.

Presented outdoors on the Dugas Pavilion green, the evening offers a distinctly different way to experience both a symphony concert and a timeless movie — exactly the kind of unexpected programming that has become a hallmark of Sinfonia Gulf Coast and Music & Artistic Director Demetrius Fuller.

As the area’s only fully professional orchestra, Sinfonia continues to push beyond the traditional concert hall, and The Wizard of Oz: Film in Concert is a fitting example of how Fuller brings the organization’s mantra, “Your symphony … redefined,” to life.

“Film in concert is such an exciting way to experience a symphony orchestra because it brings together two art forms audiences already love and allows them to hear and see them in an entirely new way,” Fuller says. “And presenting The Wizard of Oz outdoors makes the experience even more special. You have this extraordinary film on the big screen, our full orchestra performing live and an audience gathered under the stars. It really embodies what we mean by ‘Your symphony … redefined.’”

The production was created by Emmy Award-winning producer John Goberman, producer of Live From Lincoln Center and creator of the acclaimed A Symphonic Night at the Movies. It premiered in summer 2005 to sold-out crowds at Wolf Trap and the Ravinia Festival.

From Over the Rainbow and Dorothy’s first steps along the Yellow Brick Road to the Emerald City and beyond, audiences can rediscover the music, characters and unforgettable moments that have enchanted generations.

Released in 1939, The Wizard of Oz earned six Academy Award nominations, including best picture. Over the Rainbow, composed by Harold Arlen with lyrics by E.Y. Harburg, won the Academy Award for best original song.

The concert marks the first Main Event of Sinfonia Gulf Coast’s 2026-2027 season and continues the orchestra’s tradition of pairing world-class musicianship with innovative programming designed to make symphonic music accessible, relevant and engaging.

Lawn seating is $25 per person, $15 for students and $20 for military. Table seating is $45 per person.

Tickets are available at SinfoniaGulfCoast.org or by calling (850) 460-8800.

Proceeds benefit Sinfonia Gulf Coast and its music education and community engagement initiatives throughout Northwest Florida.

Calendar Listing

What: Sinfonia Gulf Coast presents The Wizard of Oz: Film in Concert
When: Saturday, Oct. 17, 2026 | 7 p.m.
Where: Mattie Kelly Arts Foundation Dugas Pavilion, Destin
Tickets: Lawn seating $25; students $15; military $20; table seating $45
Information: SinfoniaGulfCoast.org | (850) 460-8800

Photography

Link to photo gallery here.

About Sinfonia Gulf Coast

Sinfonia Gulf Coast was founded in 2005 on Florida’s Northwest Gulf Coast with the mission of redefining the symphony experience. Under the guidance of founder and Music Director Demetrius Fuller and a dedicated board of directors, the nonprofit orchestra is celebrating its 21st season of innovative musical programming, designed to entertain, educate, and inspire the community. Since its founding, Sinfonia Gulf Coast has presented more than 800 concerts and events that have reached over 600,000 patrons, has collaborated with numerous nonprofits and businesses throughout the community, and has reached more than 275,000 children through its Sinfonia Guest Artists in the Schools program/music education outreach initiatives. For more information on Sinfonia Gulf Coast, visit SinfoniaGulfCoast.org, call (850) 460-8800 or e-mail info@sinfoniagulfcoast.org.

Media Contact

Zandra Wolfgram
Director of Communications
(850) 218-8805
zwolfgram@sinfoniagulfcoast.org

The Sound of the Shofar: A Call to Remember, Reflect and Return

As October arrives, many people think of the changing season. But for the Jewish people, this time of year brings a much deeper spiritual meaning. It is a season of reflection, repentance and renewal—marked by the feast of trumpets celebrated in September with the ancient sound of the Shofar, a trumpet traditionally made from a ram’s horn or a triple twist Yemenite horn from an African antelope known as a Kudu.

The shofar is one of the oldest musical instruments known to humanity. Unlike a modern trumpet, it has no valves, keys or complicated mechanisms.  A person sounds into the hollowed-out horn, producing a powerful, unmistakable tone that can be heard from a great distance.

Ray Cyr Shofar Pic Edited 2

Ray Cyr at Studio 237 Music Lessons has nine years of experience teaching the sounding of the Shofar playing on one or two at the same time using the same breath to reach 5 to 7 notes depending on the quality of the horn or the experience of the sounder. He also provides the horn for purchase.

The use of the shofar reaches back to biblical times, when it served both practical and spiritual purposes. It was used to:

  • call people together for a gathering or sacred assembly;
  • signal an important moment in the life of the community;
  • proclaim a warning or call for attention; and
  • celebrate victory, deliverance or other significant events.

One of the most famous biblical associations with the shofar occurs in the story of Abraham and Isaac, where a ram becomes the substitute sacrifice. Because the ram’s horn comes from this animal, the shofar eventually became strongly associated with remembrance, sacrifice and God’s provision. 1Corinthians 15, Exodus 19, Isaiah 27, Leviticus 25.

The shofar has a particularly important role in the Feast of Trumpets, known in Hebrew as Yom Teruah. The biblical book of Leviticus describes this day as a memorial marked by the blowing of trumpets. In Jewish tradition, it became associated with Rosh Hashanah, the beginning of the Jewish civil year.

The sound of the shofar on Rosh Hashanah is much more than a musical performance. It is considered a spiritual wake-up call: a reminder to stop, listen and examine one’s life. Its piercing sound calls people to remember God, turn away from wrongdoing and begin the new year with a renewed heart.

The shofar’s message continues into the Ten Days of Repentance, which culminate in Yom Kippur, the Day of Atonement. While the Feast of Trumpets begins the season, Yom Kippur brings it to its solemn conclusion.

Yom Kippur is traditionally observed as a day of fasting, prayer, repentance and seeking forgiveness. It is a time to consider relationships with God and with other people, to acknowledge mistakes and to seek reconciliation.

Img 8651

At the conclusion of Yom Kippur, the shofar is traditionally sounded one final time. That single, long blast represents the end of the sacred day and the closing of this period of repentance.

For Christians, these biblical traditions can also provide an opportunity for reflection. The themes of repentance, forgiveness, reconciliation and spiritual renewal are found throughout Scripture. The shofar’s ancient call can serve as a reminder that every person has moments when it is necessary to pause, listen and consider the direction of his or her life.

Perhaps that is one reason the sound of the shofar remains so powerful after thousands of years. It is not merely the sound of an ancient instrument; it is a call.

  • A call to wake up.
  • A call to remember.
  • A call to examine our hearts.
  • A call to make peace where peace is needed.
  • And ultimately, a call to return.

As October brings the Jewish season of the Feast of Trumpets and Yom Kippur into our awareness, the ancient sound of the shofar offers a timeless message: sometimes the most important thing we can do is stop, amid the noise of everyday life, listen carefully, and allow ourselves to be called toward renewal.

Dinner, a Show and a Little Elton John Magic at Old Florida Fish House

By Publisher Lori Miller

I’ve experienced this dinner and show at Old Florida Fish House, and let me tell you—it is an awesome night out! Amazing food, the music of Elton John and an evening that makes you want to sing along…what more could you ask for?

Still Standing: A Tribute to Elton John takes the restaurant’s main stage Nov. 8 and Dec. 6, with each performance running from 6:30 to 9 p.m. If you’re looking for a fun date night or an excuse to get your friends together, this is it!

Lori Scott Elton John Tribute Old Florida Fish House

My recommendation? Make it the full dinner-and-show experience. Dinner ticket holders receive preferred seating closer to the stage and should arrive at 5 p.m. Start with Gulf Coast she-crab soup or a red romaine Caesar salad, then choose from three delicious-sounding entrées: prawn risotto with roasted acorn squash, fava beans and citrus beurre blanc; herb-and-garlic-roasted tri-tip with dauphinoise potatoes and pink peppercorn cognac cream; or chicken Florentine with creamy Pernod spinach, saffron capellini and balsamic-glazed asparagus. And save room for dessert—Key lime pie and a black-and-white petit four! The menu is subject to change.

Coming for the show only? Plan to arrive between 6 and 6:30 p.m. If you’d like to enjoy dinner from the restaurant’s regular menu first, reserve a table between 4:30 and 5 p.m. so you have plenty of time before the music starts. Dining reservations are available through Resy.

I had such an amazing time, and I’m excited for you to experience it, too! Tickets are limited and nonrefundable, so visit oldfloridafishhouse.com to get yours before they’re gone. You’ll also find schedules for other upcoming events and more information—all in one place!

Sprinkle Genuine, Heartfelt Apologies

By Stephenie Craig

Stephanie Craig 2025 Aug

Think of a time when someone hurt you. Maybe they did not show up for you when you needed them or they took their anger out on you. Maybe they said something mean or did something careless that made more work for you. Now, think about what you needed from them to feel restored to a place of connection in the relationship. Did you need them to acknowledge what happened, the role they played, and how it negatively impacted you? Did you need to hear that they cared about your feelings and would make an effort to change? Did you need an apology?

Apologizing is directly acknowledging with words intentional or unintentional hurt caused by your behavior and committing to make genuine efforts to reduce or eradicate the hurtful behavior in future interactions without blaming the other person. Good apologies include genuine remorse, clear taking of responsibility, acknowledgement of wrongdoing, validation of feelings, and do not make qualifications or excuses for the behavior. Genuine apologies differ from unnecessary apologizing about things that don’t warrant an apology like sneezing, asking for help, getting bumped into by someone, or saying no. Genuine apologies are not insincere or falling on the sword to avoid conflict. Genuine apologies are the acknowledgement of your real behavior that caused problems or hurt for another.

It’s often easier to notice times you need someone else to take responsibility for their hurtful behavior than it is to notice times you need to take responsibility for your hurtful behavior. Though important, genuine apologies are difficult for many people. About a quarter of Americans surveyed found it difficult to offer a genuine apology. Close to half of Americans surveyed reported their apologies “rarely” or “sometimes” being genuine. Avoiding apologies reflects difficulty embracing your human fallibility. Despite your best efforts, you will hurt someone else whether you mean to or not. In light of this reality, you have an opportunity to embrace the emotionally mature skill of humble self evaluation. Try asking questions like: Is it possible I was accidentally hurtful even if my intentions were not hurtful? Can I give someone else the space to have an emotional experience that might be different from mine? Is insisting I am right more important than how the other person is experiencing me in the relationship?

Apologies can make or break a relationship. One in five people report having lost a relationship because they refused to apologize. You can be self-righteous, “right,” and have disconnection in your relationships. Or, you can master genuine apologizing and experience deeper connection and higher self-awareness. I often say to my clients, “Don’t be stingy with genuine apology, instead sprinkle authentic apologies generously like sprinkles on ice cream.” Sprinkling genuine apologies helps marriages, friendships, parent/child relationships, sibling relationships, work relationships…all relationships. So, how do you improve at making genuine apologies?

Seven ways to Become Skilled at Sprinkling Genuine Apologies 

  1. Listen humbly. When someone tells you your behavior has been hurtful or problematic, try listening to them. Give others space to have an emotional experience that does not match your intentions.
  2. Step away from defensiveness. Notice your urge to immediately interrupt, defend, or explain your intention and behavior. Instead, try reminding yourself that you will have time to clarify your intentions at a later moment if needed.
  3. Validate. Genuinely try to understand how the other person experienced your behavior. Use words that indicate you can see how they might have experienced your behavior differently than you intended. Validation is not agreement. It is making space for someone to have a valid, different experience from your own.
  4. Reflect. Is it possible I was hurtful either intentionally or unintentionally? Is there some responsibility I need to take? Am I prioritizing being right over connection?
  5. Map your apology using the following template: I apologize for ________________. I should not have done that. I can see that my behavior hurt you and your feelings matter to me. I will work on handling this differently in the future. An example might be, “I apologize for using mean words and taking my anger out on you. That wasn’t okay. I can understand why you felt hurt and our relationship is important to me. I will work on using more kindness and patience in the future.”
  6. Refrain from saying, “I’m sorry, but….” For example, “I’m sorry I yelled at you, but if you had listened to me the first three times I asked you, I would not have had to yell at you.” Try remembering that you are ultimately in charge of how you behave and respond. Blaming the other person for your poor response negates the apology.
  7. Change the behavior. Put effort into actually working on what you said you would do differently in the future. Apologies lose their effectiveness when hurtful behavior is repetitive without change.

While embracing the skill of genuine apologizing can feel uncomfortable, it is also very freeing to take responsibility for your behavior. No one needs to be perfect, however, we do all need connection. And, connection feels safer in the presence of authentic, heartfelt apology. Connect with us along your journey for counseling and coaching at Journeybravley.com.

How Do You Make Decisions?

By Kirk McCarley

Kirk Mccarley 2025

In another day I served on an interviewing panel that evaluated and made recommendations for police officer selection.  A fellow panelist was a Police Lieutenant.  A question he often asked candidates was “how do you make a decision?”

The Lieutenant evaluated responses on several factors.  First, could the applicant think “on their feet,” and under pressure?  Second, was there in fact a step-by-step thought process that went into the decision?  Third, were the steps logical and sensible?  Finally, did the process indicate an internal or external influence?  In other words, was the decision predicated upon what would represent popular sentiment  or more based on personal and organizational values and ethics?”

How do you make your decisions, and what factors go into your process?  How are you influenced?  Is there a model you follow?

Morton Thiokol was a company with two primary missions.  Morton was salt and chemicals and Thiokol focused on aerospace and rockets.

Thiokol contracted with NASA to produce rubberized O-rings, a component of the solid rocket booster, a key element to propelling rocket ships into space.

Prior to launch day in early 1986, an uncharacteristically chilly morning prevailed at the Space Shuttle Challenger site in Cape Kennedy, FL.  Weather forecasts predicted sub-freezing temperatures.  Thiokol engineers debated the efficacy of the launch.  It was unknown how the O-rings would perform in the cold.  Delaying the launch, though, would not only result in inconvenience and financial setback, but disappoint those anxious to witness it.

Strong protests were voiced, especially by one engineer, Roger Boisjolly, until ultimately the pro-launch now decision was reached.  On the morning of January 28, 1986, the Challenger exploded shortly after takeoff, taking the lives of seven passengers, including one teacher.

The 1984 Orange Bowl featured the undefeated and #1 ranked Nebraska Cornhuskers and the one loss and fourth-ranked Miami Hurricanes.  A win for Miami would result in a likely National Championship due to the outcome of earlier bowl games that same day.

Late in the fourth quarter Miami was nursing a seven-point lead with less than a minute to play.  A daring quarterback scramble by Nebraska on fourth down resulted in a touchdown and brought the Cornhuskers to within a point with seconds remaining on the clock.  A near certain extra point kick would tie the score and result in Nebraska preserving an undefeated season and the college football championship.

Nebraska Coach Tom Osborne decided to go for the win via two-point conversion.  When the conversion pass was batted down, the Cornhuskers were defeated and the Hurricanes crowned as champions.

Questioned later about his decision, Osborne, remarked, “We were trying to win the game.  I don’t think you go for a tie in that case.  You try to win the game.”

A week later a reporter asked the coach again about his decision.  “I don’t think any of our players would be satisfied with a tie.  I don’t think that’s the way to do it.”

In the 1957 movie “Twelve Angry Men,” Henry Fonda plays a juror in what appears to be a “slam dunk” case of a “slum” kid murdering his abusive father.  Before rendering a 12-0 decision Fonda first wants more discussion, testing the patience of the other 11 jurors, ready and anxious to “move on with their days.”  Eventually another juror acknowledges there are more questions to be asked, followed by another until finally the jury reverses to a 12-0 “not guilty” verdict.

Consider a couple other instances of high-stake decisions with costs.

  • John McCain, son of a Navy Admiral, declined preferential treatment in North Vietnam, accepting five and a half years of beatings and torture rather than choosing a release ahead of his troops.
  • Rosa Parks, a seamstress in Montgomery, AL, defied segregation laws in 1955 by refusing to give up her bus seat to white passengers.  Her arrest led to the Montgomery bus boycott, a significant event in the civil rights movement.

How do you make a decision?  Would you have launched or grounded the Challenger?  Gone for a tie and a championship or insist on a win?  Been the hesitant juror?

A graduate of the University of North Texas, Kirk McCarley is a Certified Professional Coach as well as a Professional in Human Resources (PHR) and SHRM-CP Certified. He is also a Production Assistant for both college football and basketball for ESPN and leads group cycling classes as a Certified Spinning instructor. Contact kirk@theseedsowercoach.com, theseedsowercoach.com, or call  (314) 677-8779.

Pastor’s Ponderings: Change

By Rev. Pete Hyde

Pete Hyde

I recently bumped into some folks at Walmart  northwest Arkansas.  This is my old stomping ground from my high school days.  “What’s the best BBQ restaurant?”  Hobo Joe’s in Lowell.  “Where do you get the best family style fried chicken served family style with all the fixin’s?”  The Monte Ne Inn that sits in the shore of Beaver Lake.  Just a little way from there is an old amphitheater the lake covered when it filled in the late 60s.  When the lake level is down, the old amphitheater makes an appearance and then disappears again when the level rises.  It is like an old haunting reminder of the way things used to be.  The past and the memories are just below the surface.

I was back in Rogers, Ark., where I graduated from High school, a couple of years ago. Yes, it has changed.  It was the first time I had been back in six or seven years.  When we moved there after Dad retired from the Air Force in 1970, the population of Rogers was just a little over five thousand.  Today the highway sign says about 55,000.  Some of the “old spots” where still there, but the surroundings were so changed that if you didn’t know what you were looking for you would miss it.

Dirt, country roads are now paved, and the pastures are covered with subdivisions and strip malls.  Where my high school girlfriend and I used to go horseback riding probably would not let horses in the gated communities.  The soda fountain/drug store downtown is now an antique and craft shop.  Just like the lake had covered the amphitheater, the new had covered the old.

A bit of nostalgia took over.  I almost wish I could make it all the “way it was.”  I wish I could dust off the streets and walk through the familiar neighborhood, visit the familiar faces.  I wish I could…but I can’t.  I must accept the change – like it or not.  I cannot live in the past no matter how comfortable and wonderful I have convinced myself it was.  Would I really want to go back and live those turbulent teenage years over again?  Honestly, No!  Some days, maybe.

The Apostle Paul writes, “Hope that is seen is not hope, why does one still hope for what he sees?” (Romans 8:24) My hope, our hope is not in the past – what we have seen or can see.  Our hope is in the new creation, new life, new direction that comes to us through the saving power of Christ and the sustaining power of the Holy Spirit.  Our hope is in what lays ahead, not the idealized images of the past.

Change is the only constant in our lives.  Change is never easy.  We usually don’t change until the pain of functioning in the “same old” way is greater than the pain of making the necessary changes.  I believe this is true for each of us, for our churches, for our nation, for our world, for humanity.

Renewal and restoration are constant themes of the Bible.  The shepherd writes “He restores my soul.” He doesn’t bring back the past.  He doesn’t camouflage the old. He restores and makes new.  He will restore the calling.  He will restore the mission.  HE WILL RESTORE THE HOPE.  HE WILL RESTORE THE SOUL.

No matter what our age,  no matter what our stage or circumstance in life, we cannot live without hope.  We cannot hold so tightly to the “old ways” that they become an immovable anchor keeping us from our true potential.  We are being shaped daily by the Master Sculptor.  He chisels, chips, sands and shapes to bring out what he has in mind for us.  He rounds and smooths the rough corners of our character.

Sometimes this chiseling, chipping, sanding and rounding is painful and uncomfortable.  But when we allow the Master Sculptor to have his way with our lives, then we become all that he has intended for us to be.  And when the final shine is placed on the sculpture of our lives, the life of our church, our nation, our world, we will stand brilliantly in His presence, having achieved all he has sought for us to achieve.

“O Lord, chisel me, chip me, sand me, polish me, shape me, mold me into what you would have me be and yes, Lord, comfort me in the pain and discomfort of the process.  For you are making all things “NEW” and that includes me.  My HOPE is in you.”  Amen.

Rev. Pete Hyde serves as chaplain with the South Walton Fire District

Sean of the South: AI

By Sean Dietrich

Sean Of South

Right now, the news media is in an uproar over AI. The headlines are bleak. Experts are saying our cherished way of life is in danger. Pretty soon, if things keep going this direction, they say we will lose basic human abilities, such as empathy, sustained focus, and the ability to spel withot autocorrek.

And while I know I’m supposed to be terrified of AI, I’m not worried. Namely, because right now, I’m busy watching “The Dog House.”

“The Dog House” is a TV series about people who adopt pets in Godmanchester, England. The show documents stories of animal rescues from the Wood Green Pets Charity, and it is crack for dog lovers.

After a few moments of watching, you’re rooting for families, for rescues, for the rescue staff, and you’ve finished two bags of Chili Cheese Fritos.

This show is nearly perfect. On the “International Sean Dietrich Adorable-TV Scale,” a scale ranging from 1 to 10 (with 10 being, say, “Lilo & Stitch,” and one being “A Clockwork Orange”), “The Dog House” receives a score of 632,348.

This is because the show is positive.

Have you ever tried practicing positivity? Have you ever actively been positive for a full 24 hours?

Yes. I know. Some see positivity as willful ignorance. Others see positivity as pure stupidity. But personally, I have always seen positivity as a five-syllable word.

Even so, positivity is not just ANY five-syllable word such as “geometrical,” “vegetarian,” or “Lithuania.” Those are regular five-syllable words. No, positivity is real.

Everything in this world is made of energy. If you were to magnify any object to the atomic level, you’d see only waves or particles. Many particles carry an electrical charge.

That chair in the corner is really just energy. The phone you’re holding: Energy. The crumpled Frito-Lay bag lying next to you on the sofa: Also energy.

So, in electrical terms, “positivity” actually means something different than you might think.

Let’s go back to high-school physics class for a moment. Quit doodling in your history textbook and altering that image of Queen Victoria and Prince Albert, you pervert. Let’s talk about electrical circuits.

Recall that an electrical circuit won’t work if each point carries the same voltage. Take your house. Light and power only happen in your home when there is a potential difference between high points (positives) and low points (negatives).

Now apply this to life in general.

Daily life is filled with high and low points. A high point in your day might be finding $50 in your coat pocket, whereas a low point would be, for example, undergoing an IRS audit that lasts about as long as dental school—not that this has ever happened to me.

Positive thinking isn’t about pretending low points don’t exist. Hardship, frustration, grief, disaster—those things happen. But in electrical terms, these low points offer low electrical potential.

You CAN’T get an electrical current flowing if you’re not positively charging your circuit.

So, once again, sticking with electrical jargon:

If you deal with the low points, but actively aim for the high points, you will generate a current. The current will start small. But it will build. Because that’s what energy does. It grows.

The more positivity you build, the more positive the people around you will become. One electrical current can spread across the world. Across the universe. Across time and space. Touching nearly every human on the planet.

If, however, you only focus on low points, you’re—electrically speaking—dead. Like a dead electrical outlet. Or a dead toaster oven.

Over time, your body and mind will become so lethargic you’ll require energy from external sources to survive. Other people in your life can feed you positive energy for a little while, but not forever.

Ultimately, you’ll drain your loved ones until their batteries are almost dead, too. Pretty soon, THEY’LL become negatively charged. Your negativity will alter them. Their negativity will alter THEIR loved ones. And the negativity loop will get bigger and bigger, affecting more and more people, until there’s nothing left on this Earth but AI.

Sean Dietrich is a columnist, and novelist, known for his commentary on life in the American South. His work has appeared in Southern Living, The Tallahassee Democrat, Good Grit, South Magazine, Alabama Living, the Birmingham News, Thom Magazine, The Mobile Press Register and Life Media publications, and he has authored seven books.